- Jan 11, 2021 Command-H: Hide the windows of the front app. To view the front app but hide all other apps, press Option-Command-H. Command-M: Minimize the front window to the Dock. To minimize all windows of the front app, press Option-Command-M. Command-O: Open the selected item, or open a dialog to select a file to open. Command-P: Print the current document.
- Minimum: Windows OS: Win 7, 8, 10, 32bit Processor: 2.8 Ghz Dual Core CPU Memory: 4 GB RAM Graphics: NVIDIA GeForce 560 / AMD Radeon 7770 or similar, at least 2 GB of VRAM DirectX: Version 11 Storage: 23 GB available space Sound Card: DirectX 9.0c compatible sound card with latest drivers Mac OS: 10.12, 10.13. Processor: 3 GHz Quad Core CPU Memory: 4 GB RAM Graphics: Radeon R9 M380.
- 2,451 Likes, 122 Comments - University of South Carolina (@uofsc) on Instagram: 'Do you know a future Gamecock thinking about #GoingGarnet? 🎉. Tag them to make sure they apply'.
- H1Z1 King of The Kill Mac OS X. DOWNLOAD NOW H1Z1 King of The Kill for Mac OS EXCLUSIVE! MacGamesWorld, your main source of games for os x, proudly presents a new game. If you love the multiplayer games in which the main quest is to stay alive, H1Z1 King of The Kill is perfect for you and now available in.dmg format.
To use a keyboard shortcut, press and hold one or more modifier keys and then press the last key of the shortcut. For example, to use Command-C (copy), press and hold the Command key, then the C key, then release both keys. Mac menus and keyboards often use symbols for certain keys, including modifier keys:
This means you will need a late 2015 iMac 27-inch or newer, 2016 MacBook Pro or newer, 2018 Mac Mini, 2019 Mac Pro, 2018 MacBook Air, or an early 2016 MacBook or newer model computer.
On keyboards made for Windows PCs, use the Alt key instead of Option, and the Windows logo key instead of Command.
Some keys on some Apple keyboards have special symbols and functions, such as for display brightness , keyboard brightness , Mission Control, and more. If these functions aren't available on your keyboard, you might be able to reproduce some of them by creating your own keyboard shortcuts. To use these keys as F1, F2, F3, or other standard function keys, combine them with the Fn key.
Cut, copy, paste, and other common shortcuts
- Command-X: Cut the selected item and copy it to the Clipboard.
- Command-C: Copy the selected item to the Clipboard. This also works for files in the Finder.
- Command-V: Paste the contents of the Clipboard into the current document or app. This also works for files in the Finder.
- Command-Z: Undo the previous command. You can then press Shift-Command-Z to Redo, reversing the undo command. In some apps, you can undo and redo multiple commands.
- Command-A: Select All items.
- Command-F: Find items in a document or open a Find window.
- Command-G: Find Again: Find the next occurrence of the item previously found. To find the previous occurrence, press Shift-Command-G.
- Command-H: Hide the windows of the front app. To view the front app but hide all other apps, press Option-Command-H.
- Command-M: Minimize the front window to the Dock. To minimize all windows of the front app, press Option-Command-M.
- Command-O: Open the selected item, or open a dialog to select a file to open.
- Command-P: Print the current document.
- Command-S: Save the current document.
- Command-T: Open a new tab.
- Command-W: Close the front window. To close all windows of the app, press Option-Command-W.
- Option-Command-Esc: Force quit an app.
- Command–Space bar: Show or hide the Spotlight search field. To perform a Spotlight search from a Finder window, press Command–Option–Space bar. (If you use multiple input sources to type in different languages, these shortcuts change input sources instead of showing Spotlight. Learn how to change a conflicting keyboard shortcut.)
- Control–Command–Space bar: Show the Character Viewer, from which you can choose emoji and other symbols.
- Control-Command-F: Use the app in full screen, if supported by the app.
- Space bar: Use Quick Look to preview the selected item.
- Command-Tab: Switch to the next most recently used app among your open apps.
- Shift-Command-5: In macOS Mojave or later, take a screenshot or make a screen recording. Or use Shift-Command-3 or Shift-Command-4 for screenshots. Learn more about screenshots.
- Shift-Command-N: Create a new folder in the Finder.
- Command-Comma (,): Open preferences for the front app.
H A Game About Transhumanism Mac Os X
Sleep, log out, and shut down shortcuts
You might need to press and hold some of these shortcuts for slightly longer than other shortcuts. This helps you to avoid using them unintentionally.
- Power button: Press to turn on your Mac or wake it from sleep. Press and hold for 1.5 seconds to put your Mac to sleep.* Continue holding to force your Mac to turn off.
- Option–Command–Power button* or Option–Command–Media Eject : Put your Mac to sleep.
- Control–Shift–Power button* or Control–Shift–Media Eject : Put your displays to sleep.
- Control–Power button* or Control–Media Eject : Display a dialog asking whether you want to restart, sleep, or shut down.
- Control–Command–Power button:* Force your Mac to restart, without prompting to save any open and unsaved documents.
- Control–Command–Media Eject : Quit all apps, then restart your Mac. If any open documents have unsaved changes, you will be asked whether you want to save them.
- Control–Option–Command–Power button* or Control–Option–Command–Media Eject : Quit all apps, then shut down your Mac. If any open documents have unsaved changes, you will be asked whether you want to save them.
- Control-Command-Q: Immediately lock your screen.
- Shift-Command-Q: Log out of your macOS user account. You will be asked to confirm. To log out immediately without confirming, press Option-Shift-Command-Q.
* Does not apply to the Touch ID sensor.
Finder and system shortcuts
- Command-D: Duplicate the selected files.
- Command-E: Eject the selected disk or volume.
- Command-F: Start a Spotlight search in the Finder window.
- Command-I: Show the Get Info window for a selected file.
- Command-R: (1) When an alias is selected in the Finder: show the original file for the selected alias. (2) In some apps, such as Calendar or Safari, refresh or reload the page. (3) In Software Update preferences, check for software updates again.
- Shift-Command-C: Open the Computer window.
- Shift-Command-D: Open the desktop folder.
- Shift-Command-F: Open the Recents window, showing all of the files you viewed or changed recently.
- Shift-Command-G: Open a Go to Folder window.
- Shift-Command-H: Open the Home folder of the current macOS user account.
- Shift-Command-I: Open iCloud Drive.
- Shift-Command-K: Open the Network window.
- Option-Command-L: Open the Downloads folder.
- Shift-Command-N: Create a new folder.
- Shift-Command-O: Open the Documents folder.
- Shift-Command-P: Show or hide the Preview pane in Finder windows.
- Shift-Command-R: Open the AirDrop window.
- Shift-Command-T: Show or hide the tab bar in Finder windows.
- Control-Shift-Command-T: Add selected Finder item to the Dock (OS X Mavericks or later)
- Shift-Command-U: Open the Utilities folder.
- Option-Command-D: Show or hide the Dock.
- Control-Command-T: Add the selected item to the sidebar (OS X Mavericks or later).
- Option-Command-P: Hide or show the path bar in Finder windows.
- Option-Command-S: Hide or show the Sidebar in Finder windows.
- Command–Slash (/): Hide or show the status bar in Finder windows.
- Command-J: Show View Options.
- Command-K: Open the Connect to Server window.
- Control-Command-A: Make an alias of the selected item.
- Command-N: Open a new Finder window.
- Option-Command-N: Create a new Smart Folder.
- Command-T: Show or hide the tab bar when a single tab is open in the current Finder window.
- Option-Command-T: Show or hide the toolbar when a single tab is open in the current Finder window.
- Option-Command-V: Move the files in the Clipboard from their original location to the current location.
- Command-Y: Use Quick Look to preview the selected files.
- Option-Command-Y: View a Quick Look slideshow of the selected files.
- Command-1: View the items in the Finder window as icons.
- Command-2: View the items in a Finder window as a list.
- Command-3: View the items in a Finder window in columns.
- Command-4: View the items in a Finder window in a gallery.
- Command–Left Bracket ([): Go to the previous folder.
- Command–Right Bracket (]): Go to the next folder.
- Command–Up Arrow: Open the folder that contains the current folder.
- Command–Control–Up Arrow: Open the folder that contains the current folder in a new window.
- Command–Down Arrow: Open the selected item.
- Right Arrow: Open the selected folder. This works only when in list view.
- Left Arrow: Close the selected folder. This works only when in list view.
- Command-Delete: Move the selected item to the Trash.
- Shift-Command-Delete: Empty the Trash.
- Option-Shift-Command-Delete: Empty the Trash without confirmation dialog.
- Command–Brightness Down: Turn video mirroring on or off when your Mac is connected to more than one display.
- Option–Brightness Up: Open Displays preferences. This works with either Brightness key.
- Control–Brightness Up or Control–Brightness Down: Change the brightness of your external display, if supported by your display.
- Option–Shift–Brightness Up or Option–Shift–Brightness Down: Adjust the display brightness in smaller steps. Add the Control key to this shortcut to make the adjustment on your external display, if supported by your display.
- Option–Mission Control: Open Mission Control preferences.
- Command–Mission Control: Show the desktop.
- Control–Down Arrow: Show all windows of the front app.
- Option–Volume Up: Open Sound preferences. This works with any of the volume keys.
- Option–Shift–Volume Up or Option–Shift–Volume Down: Adjust the sound volume in smaller steps.
- Option–Keyboard Brightness Up: Open Keyboard preferences. This works with either Keyboard Brightness key.
- Option–Shift–Keyboard Brightness Up or Option–Shift–Keyboard Brightness Down: Adjust the keyboard brightness in smaller steps.
- Option key while double-clicking: Open the item in a separate window, then close the original window.
- Command key while double-clicking: Open a folder in a separate tab or window.
- Command key while dragging to another volume: Move the dragged item to the other volume, instead of copying it.
- Option key while dragging: Copy the dragged item. The pointer changes while you drag the item.
- Option-Command while dragging: Make an alias of the dragged item. The pointer changes while you drag the item.
- Option-click a disclosure triangle: Open all folders within the selected folder. This works only when in list view.
- Command-click a window title: See the folders that contain the current folder.
- Learn how to use Command or Shift to select multiple items in the Finder.
- Click the Go menu in the Finder menu bar to see shortcuts for opening many commonly used folders, such as Applications, Documents, Downloads, Utilities, and iCloud Drive.
Document shortcuts
The behavior of these shortcuts may vary with the app you're using.
- Command-B: Boldface the selected text, or turn boldfacing on or off.
- Command-I: Italicize the selected text, or turn italics on or off.
- Command-K: Add a web link.
- Command-U: Underline the selected text, or turn underlining on or off.
- Command-T: Show or hide the Fonts window.
- Command-D: Select the Desktop folder from within an Open dialog or Save dialog.
- Control-Command-D: Show or hide the definition of the selected word.
- Shift-Command-Colon (:): Display the Spelling and Grammar window.
- Command-Semicolon (;): Find misspelled words in the document.
- Option-Delete: Delete the word to the left of the insertion point.
- Control-H: Delete the character to the left of the insertion point. Or use Delete.
- Control-D: Delete the character to the right of the insertion point. Or use Fn-Delete.
- Fn-Delete: Forward delete on keyboards that don't have a Forward Delete key. Or use Control-D.
- Control-K: Delete the text between the insertion point and the end of the line or paragraph.
- Fn–Up Arrow: Page Up: Scroll up one page.
- Fn–Down Arrow: Page Down: Scroll down one page.
- Fn–Left Arrow: Home: Scroll to the beginning of a document.
- Fn–Right Arrow: End: Scroll to the end of a document.
- Command–Up Arrow: Move the insertion point to the beginning of the document.
- Command–Down Arrow: Move the insertion point to the end of the document.
- Command–Left Arrow: Move the insertion point to the beginning of the current line.
- Command–Right Arrow: Move the insertion point to the end of the current line.
- Option–Left Arrow: Move the insertion point to the beginning of the previous word.
- Option–Right Arrow: Move the insertion point to the end of the next word.
- Shift–Command–Up Arrow: Select the text between the insertion point and the beginning of the document.
- Shift–Command–Down Arrow: Select the text between the insertion point and the end of the document.
- Shift–Command–Left Arrow: Select the text between the insertion point and the beginning of the current line.
- Shift–Command–Right Arrow: Select the text between the insertion point and the end of the current line.
- Shift–Up Arrow: Extend text selection to the nearest character at the same horizontal location on the line above.
- Shift–Down Arrow: Extend text selection to the nearest character at the same horizontal location on the line below.
- Shift–Left Arrow: Extend text selection one character to the left.
- Shift–Right Arrow: Extend text selection one character to the right.
- Option–Shift–Up Arrow: Extend text selection to the beginning of the current paragraph, then to the beginning of the following paragraph if pressed again.
- Option–Shift–Down Arrow: Extend text selection to the end of the current paragraph, then to the end of the following paragraph if pressed again.
- Option–Shift–Left Arrow: Extend text selection to the beginning of the current word, then to the beginning of the following word if pressed again.
- Option–Shift–Right Arrow: Extend text selection to the end of the current word, then to the end of the following word if pressed again.
- Control-A: Move to the beginning of the line or paragraph.
- Control-E: Move to the end of a line or paragraph.
- Control-F: Move one character forward.
- Control-B: Move one character backward.
- Control-L: Center the cursor or selection in the visible area.
- Control-P: Move up one line.
- Control-N: Move down one line.
- Control-O: Insert a new line after the insertion point.
- Control-T: Swap the character behind the insertion point with the character in front of the insertion point.
- Command–Left Curly Bracket ({): Left align.
- Command–Right Curly Bracket (}): Right align.
- Shift–Command–Vertical bar (|): Center align.
- Option-Command-F: Go to the search field.
- Option-Command-T: Show or hide a toolbar in the app.
- Option-Command-C: Copy Style: Copy the formatting settings of the selected item to the Clipboard.
- Option-Command-V: Paste Style: Apply the copied style to the selected item.
- Option-Shift-Command-V: Paste and Match Style: Apply the style of the surrounding content to the item pasted within that content.
- Option-Command-I: Show or hide the inspector window.
- Shift-Command-P: Page setup: Display a window for selecting document settings.
- Shift-Command-S: Display the Save As dialog, or duplicate the current document.
- Shift–Command–Minus sign (-): Decrease the size of the selected item.
- Shift–Command–Plus sign (+): Increase the size of the selected item. Command–Equal sign (=) performs the same function.
- Shift–Command–Question mark (?): Open the Help menu.
Other shortcuts
For more shortcuts, check the shortcut abbreviations shown in the menus of your apps. Every app can have its own shortcuts, and shortcuts that work in one app might not work in another.
- Apple Music shortcuts: Choose Help > Keyboard shortcuts from the menu bar in the Music app.
- Other shortcuts: Choose Apple menu > System Preferences, click Keyboard, then click Shortcuts.
Learn more
- Create your own shortcuts and resolve conflicts between shortcuts
- Change the behavior of the function keys or modifier keys
'For My thoughts are not your thoughts, Nor are your ways My ways,' declares the Lord. – Isaiah 55:8
'You thought that I was just like you; I will reprove you and state the case in order before your eyes.' – Yahweh, Psalm 50:21
'Professing to be wise, they became fools, and exchanged the glory of the incorruptible God for an image in the form of corruptible man…' – Paul, Romans 1:22-23
Since many people in America today, including some Christians, clamor for all things fantastical in their personal search for augmented meaning, instead of resting in God's pure word and the attending Holy Spirit to guide their spiritual understanding, it would be prudent for thoughtful believers to consider this current pathway of metaphysical delights, its brash direction, and where it will eventually end. Indeed, the signposts on this broad road have already been erected, if only Christians enthralled with inventive speculations would stop and see the illumined markers of its ultimate destination: Transhumanism.
What is Transhumanism? According to Max More, a futurist and early architect of this burgeoning belief concept:
'Transhumanism is a class of philosophies of life that seek the continuation and acceleration of the evolution of intelligent life beyond its currently human form and human limitations by means of science and technology, guided by life-promoting principles and values.'
Transhumanism (abbreviated as H+ or h+) may sound like the plot of a Utopian science fiction movie, but it has stepped right out of the imaginary realm and become an influential global movement. It is a real and rising school of thought grounded in reason and science that often slides into metaphysical language about 'transcendence' because it concerns the things of eternity and immortality. It resolutely seeks to birth an advanced species of humankind, a literal hybrid of man and machine, and is closely associated with Posthumanism, which refers to the desire to be a person or entity that exists in a state beyond 'being human.' As one website describes this aspiration:
'Many transhumanists wish to follow life paths which would, sooner or later, require growing into posthuman persons: they yearn to reach intellectual heights as far above any current human genius as humans are above other primates; to be resistant to disease and impervious to aging; to have unlimited youth and vigor; to exercise control over their own desires, moods, and mental states; to be able to avoid feeling tired, hateful, or irritated about petty things; to have an increased capacity for pleasure, love, artistic appreciation, and serenity; to experience novel states of consciousness that current human brains cannot access. It seems likely that the simple fact of living an indefinitely long, healthy, active life would take anyone to posthumanity if they went on accumulating memories, skills, and intelligence.' – whatistranshumanism.org
The catalyst for this transhumanistic and posthumanistic agenda is, quite simply, the idol of human imagination and all the ideas, visions, and creations that the 'evolving mind' can muster in godlike fashion for the betterment of the world. Donut roll (sumguy67) mac os. In essence, it is plain old humanism run amok within the Fourth Industrial Revolution; and it has a definite spiritual agenda: replacing God with the golden calf of human ingenuity and technology, a god who brings the promise of sinlessness and eternal life.
Sadly, however, such thinking is not only prevalent in the atheistic techno-geek circles of the Googlesque religion, but it has also seeped into our susceptible postmodern Christianity without being noticed. The transhumanistic philosophy, in fact, is quite similar to what some Christians are endeavoring to do in their vain pursuits within the realm of their own imaginations to create new mythologies that spiritually excite them, even if they spill into neo-paganism or Gnosticism. Viewing the faculty of imagination as an essential attribute of their image-bearing of God, these Christian 'Sub-creators' frequently insist that only by a 'redeemed' or 'sanctified' imagination can a believer achieve a higher level of spiritual understanding and fulfillment. It is an idea that has captured, well… their imagination.
This isn't an isolated notion in the Church, either; its popularity has created a seismic shift in theology that has spawned countless books on the subject of the Christian imagination. A quick search on Amazon, in fact, yields at least two dozen books currently available that advocate the human imagination as one of the main elements of the imago Dei and how we should freely use that divine-like power. Strangely enough (or not so strangely), you can go back hundreds of years into the Church's history and there is few if any orthodox scholars who recognized in the Bible such a specific theological premise as the one we see argued today in all its gnostic glory.
John Calvin's sermon note on Deuteronomy 4:15-20, for example, is a scathing indictment of imagination and its man-made products. The evil, he asserted, stemmed from…
'their own imaginations. . . . men went astray or rather vanished away in their own imaginations, and turned all things upside down, and falsified God's truth, whensoever they made any counterfeit of him, whether it were in the likeness of man or of beast … is it not apparent that men are worse than mad, when they will needs take upon them to shape out God's being, seeing that no shape can be made of their own souls, which are nothing in comparison of him?'
In other words, how foolish is it of man to dare to shape out God's being, when they can't even rightly shape out their own souls, nor do they even feel a need to understand the shape of their own souls, which are nothing in comparison to a holy triune God.
Imagination: Godlike Power or Manufactured Intelligence?
The above quote by Calvin is indeed a profound thought that should give us pause to consider the shape, or characteristics, of our own souls to see if our imaginations are part of our spiritual core, and whether our imaginations are truly godlike or something less than that. It boils down to this question: is the human imagination really unique or is it simply a mental (though mysterious) faculty of our intellect and our basic human makeup?
Outside of the realms of religion and the supernatural, top scientists and other purveyors of modern technology have been trying to answer that burning question, and the emerging response from their empirical research should temper the Christian's enthusiasm, unless one is drawn to the transhumanistic philosophies that eventually undermine biblical doctrine. Hexanome mac os.
Since the beginning of 2017 and throughout this year, the leading developers of Artificial Intelligence (A.I.) have reported great strides in their research that have been both astounding and disturbing at the same time. This summer, Facebook announced that their division, Facebook A.I. Research (F.A.I.R.) had shut down their 'chatbot' development because two of their A.I. agents had started to converse in a new form of our language. Because there was no incentive on the part of the A.I. agents to stick to plain English, they began to 'diverge, eventually rearranging legible words into seemingly nonsensical sentences,' according to research scientist Dhruv Batra. The sobering problem, highlighted in an article by Mark Wilson, is this:
'[Facebook] has no way of truly understanding any divergent computer languages. ‘It's important to remember, there aren't bilingual speakers of A.I. and human languages,' says Batra. We already don't generally understand how complex A.I.s think because we can't really see inside their thought process. Adding A.I.-to-A.I. conversations to this scenario would only make that problem worse.'
So what are we to make of the autonomy of these A.I.s that decided to spontaneously and single-handedly construct their own language? Seems Facebook doesn't know or really care since it didn't fit their business model, so they simply pulled the plug. (It begs the nervous question, however, what would happen if someday the A.I.s wouldn't let you pull the plug?).
On a similar front, Google's A.I. subsidiary DeepMind revealed this year that their new version of the AlphaGo Zero program, tasked with learning how to play the board game Go without human input, has become literally unbeatable, and the developers can't exactly decipher the A.I.'s independent thought process behind its game-playing decisions. They don't really know the machine's thought process – and they're the programmers! Lead programmer David Silver, however, revealed what they do know:
'By not using human data – by not using human expertise in any fashion – we've actually removed the constraints of human knowledge. [The A.I.] is therefore able to create knowledge from first principles; FROM A BLANK SLATE' (My emphasis).
Of course, the underlying technical reason for this phenomenon of A.I. activity is because Google's DeepMind is attempting to create algorithms that 'simulate the distinctly human ability to construct a plan.' Bottom line, they are creating an A.I. capable of imagination, enabling machines to imagine the consequences of their actions before they make them and anticipate the challenges against their ultimate goals – just like humans do when they conceive and pursue a plan of action.
And what about the specific evidences of A.I. creativity in this newfound algorithmic realm of imagination? Yes, unique poems, music, and paintings have been created by A.I., but the output is still mostly defined by the input of a comprehensive range of human examples from which to mimic. Of course, this is exactly how beginning writers, composers, and artists often start to create: by imitating their favorite authors and creators before going off on their own. It is all part and parcel of human learning and the cultivating of imagination – except machines are now doing it.
In fact, this is the very human pattern that has already been produced by researchers at Rutgers University and Facebook's A.I. lab who have developed an A.I. that 'produces [artistic] images in unconventional styles,' much like the innovations of a Monet or Picasso. The machine's output is still at a rudimentary stage, perhaps, but even the public can't always tell the difference between artist and machine; and before long, according to many informed experts, A.I.s will, given enough time, surely perfect the originality of their creative works. 'Imagine having people over for dinner,' proposes Kevin Walker of the Royal College of Art in London, 'and they ask, ‘Who is that by?' And you say, ‘Well, it's a machine actually.' That would be an interesting conversation starter.'
Dave King, founder of Move 37, a creative A.I. company that collaborates with A.I. to produce art, expresses this provocative viewpoint (in an article by Tierney Bonini and Paul Donoughue):
'Art is one of the last domains in A.I. where there is an optimistic view on how humans and machines can work together.'
Furthermore, King makes this bold statement concerning his work with A.I.:
Creativity is not a 'God-given thing. It's a process, and it takes practice.'
The popular physicist Professor Stephen Hawking wholeheartedly agrees with that assessment. In 2016, he said, 'I believe there is no deep difference between what can be achieved by a biological brain and what can be achieved by a computer.' And recently, in an interview with Wired, Hawking reiterated his belief that one day, Artificial Intelligence will reach the level where it will essentially be ‘a new form of life that will outperform humans.'' He then adds the alarming opinion that A.I., because of their ability to improve and replicate on their own, may replace humans altogether.
Little wonder that these creative innovations wrought by machines have brought Dan Brown, author of The Da Vinci Code book series, to speculate that the development of Artificial Intelligence will transform our concept of the divine. Says Brown:
'We will start to find our spiritual experiences through our interconnections with each other, [forecasting the emergence of] some form of global consciousness that we perceive and that becomes our divine. Our need for that exterior god, that sits up there and judges us … will diminish and eventually disappear.'
Ah, there's the rub! Confronted with this overwhelming mountain of scientific evidence and the rising global phantasm of transhumanistic philosophy and influence, Christians will need to answer this critical question: Will we as the visible Church continue to insist that our imagination is an exclusive, spiritual faculty intrinsically connected to our position as an image-bearer of God? Or will we finally admit that our imagination is but a tool of human cognitive power that simply assists us in the way we live out our Christian faith, and should never be the driving factor in our spiritual understanding?
In other words, if A.I. machines can be imbued with comparable powers of imagination and eventually utilize them autonomously and in a superior way, should we as awakened Christians not fall on our knees in humility and find our source of truth and spiritual understanding in the triune God alone?
Divine Inspiration, Not Imagination
This is an issue of inspiration, not imagination. Have we not been warned time and time again in the Bible that imagination is suspect in this fallen world, and that what comes out of a man is what defiles him? (Mark 7:20). We need instead to understand the shape of our souls, as Calvin contends, and seek to find that essential connection between our spirit and God's Spirit. This, of course, can only be done by being born again and renewed by the Holy Spirit (John 3). Otherwise, we will never see the kingdom of God, a kingdom that cannot be rightly seen by mere imagination, fantasy fiction, or pagan mythology.
This is not to say without exception that the Christian's use of imagination (or technology, for that matter) can't be profitable in the course of our active, fruitful discipleship. Of course, it can. But the pitfalls are unnoticed when it is considered inherently harmless or above reproach when we use it outside of God's initiation and leading. Strict guidance from a Spirit-led application of the scriptures is essential to the good use of our renewed mind, i.e. the mind of Christ (1 Corinthians 2:16).
Yet, still, as one Christian source points out: The word sometimes translated 'imagination' (Greek, dialogismos) literally means, 'the thinking of a man deliberating with himself' (Romans 1:21, KJV). Paul, the apostle, states that idolatry germinates out of people 'deliberating' within themselves. This is gnosis spirituality which is ever in contest with the Logos spirituality of the Bible. The Word finds its origin with God (John 1:1, 14). Gnosis, the basis of the New Age/New Spirituality, finds its origin in the mind of man, or perhaps might even be received from demons (1 Timothy 4:1).
When we trust too much on the imagination as a reliable means to a spiritual end, what we end up with, more times than not, is the heresy of The Shack‘s misrepresentation of God, or the gnostic spirituality of The Lord of The Rings or even in the Star Wars saga. There are obvious transhumanistic strains within these kinds of imaginary works and the underlying Gnosticism can come to fruition when we as Christians openly promote these imaginations as true spiritual enlightenment, instead of mere amusements of corrosive influence.
Transhumanism: The New False Religion
Transhumanism is perfect fodder for new age spirituality, but if you think Transhumanism will never find a foothold within the visible Christian church, think again. There are already established, official religions that have developed because of the current obsession with A.I., and some in particular come from an aberrant Christian perspective and twisted theology that is coming into the mainstream of religious thought.
According to Brandon Withrow of The Daily Beast, there is Kopimism, an internationally-recognized faith almost a decade old where 'digital monks' celebrate the biological drive (e.g. DNA) to copy and be copied, and finding spiritual connection with the 'created file.' Kopimists, you see, are practicing a 'sacred' ritual whenever they illegally download or share a copyrighted movie, CD, book, or any other information. They liken it to how the Romans remixed Greek mythology for the benefit of furthering human knowledge.
Then, as Withrow reports, we have the more grandiose A.I. religion called 'Way of the Future,' created by Google engineer Anthony Levandowski, which seeks to 'develop and promote the realization of a Godhead based on Artificial Intelligence,' and 'through understanding and worship of the Godhead, contribute to the betterment of society.' The disturbing purloining of Christian terms like 'the Way' and 'Godhead' are particularly scary and nauseating.
Sadly, these two emerging religions are probably not the worst. Withrow points out a more dangerous religious organization because of its nuanced theology: the Christian Transhumanist Association, or CTA. This new type of 'Christian' denomination attempts to put transhumanism under the orthodox umbrella of Christian theology. In fact, Executive Director Micah Redding calls transhumanism a 'Christian mandate' that 'centers on love as the key to the future of a flourishing life.'
Ronald Cole-Turner, a professor of Theology and Ethics at Pittsburg Theological Seminary, agrees:
'Using technology, today's transhumanists want to enhance human beings in ways that sound suspiciously like the classic Christian expectation, things like greater cognitive awareness, improved moral disposition, and increased overall sense of well-being, and a hope of endless life.'
Cole-Turner goes on to say that for Greek-speaking Christians, 'it was seen as a process of theosis or ‘becoming God,' not in an ontological sense but in every other significant meaning of the word. Latin-speaking Christians used ‘deification' to refer to the same thing.' No doubt some Christians may succumb to this confusing mix of Christian romanticism, theosis, and technological advancement in order to usher in a new age of global love and peace that has removed the effects of sin and death all on its own.
The Biblical Truth
Of course any true Bible student knows that this heretical transhumanistic ideal is nothing but a works-based salvation that is diametrically opposed to the Gospel of grace: the salvation found only in the sacrificial work of Jesus Christ by grace through faith in Him. It also denies the clear biblical teaching that says we live in a fallen world of sin and death, brought about by the rebellion of man and his evil imaginations, and destined by Almighty God for the scrap heap. Only through Jesus Christ and upon His glorious return will there be a bodily resurrection and a new Heaven and new Earth where redeemed souls will live for eternity with God. It is all a supernatural work of God, and not a work of either man or machine:
And I heard a loud voice from the throne, saying, 'Behold, the tabernacle of God is among men, and He will dwell among them, and they shall be His people, and God Himself will be among them, and He will wipe away every tear from their eyes; and there will no longer be any death; there will no longer be any mourning, or crying, or pain; the first things have passed away.' – Revelation 21:2-4
This is the remarkable future reality, the only truth, and it will not be accomplished in any way by our feeble, unreliable imaginations. As God pronounced: You thought that I was just like you… but My thoughts are not your thoughts, Nor are your ways My ways.
H A Game About Transhumanism Mac Os Download
May God be praised for this comforting revelation of truth that assures us: Don't worry. He's got this.